A newly circulated video allegedly showing baby Preston Davey in a bathtub with Varley is now leaving investigators shaken after it reportedly surfaced across multiple dark web forums before authorities were able to trace it. According to sources connected to the trial, the footage appears to show Preston flushed, disoriented, and nearly motionless while lying between Varley’s legs as loud music played and the child was aggressively bounced inside the bath. But what is truly causing outrage is not only the disturbing nature of the footage itself…

In the wood-paneled, high-ceilinged expanse of Courtroom 1 at Preston Crown Court, silence is usually a product of legal protocol. But on the morning of May 25, 2026, the silence that descended was of an entirely different nature. It was a physical, suffocating weight.
For weeks, the public and the press had sat through the harrowing anatomical details of the short, tragic life of 13-month-old Preston Davey—officially renamed Elijah by his adoptive fathers, Jamie Varley and John McGowan-Fazakerley. We had listened to Home Office pathologists describe forty external injuries, internal lacerations, and the horrific mechanisms of upper airway obstruction that cut the infant’s life short on July 27, 2023. We had witnessed the dramatic arrest and charging of Sister Karen Bentley, the senior pediatric nurse accused of turning a blind eye to three separate hospital presentations of abuse.
We believed we had stared into the deepest recesses of this domestic horror story. We were wrong.
At precisely 10:30 AM, the prosecution lead, Peter Wright KC, rose to address the court. There was no theatrical flourish in his delivery; his voice was flat, carrying the grim solemnity of a man delivering a terminal diagnosis.
“My Lord,” Wright began, addressing Mr. Justice Mark Turner, “the Crown has come into possession of newly recovered digital material. It is material that has not only necessitated an immediate, emergency intervention by the high court and cyber-forensic units of the National Crime Agency, but one that fundamentally alters the scope, gravity, and systemic implications of this trial.”
Within minutes, the jury was ushered out of the courtroom. The public gallery was cleared of all but a small, vetted pool of accredited journalists. What followed in the subsequent closed-session hearing was a revelation so deeply disturbing that several seasoned court officials were visible shaking, and one junior defense attorney sat with her head buried in her hands.
A newly surfaced video, recovered from an encrypted partition of an online server, had been brought to light. It did not merely debunk Jamie Varley’s elaborate, weeping “choking alibi” regarding a “stupid close call” in a shallow bath. It blew it to atoms. But more terrifying than the physical cruelty captured on the footage was its digital destination: the video had not been kept as a private, twisted “trophy” on a mobile phone. It had been broadcast, distributed, and monetized across the hidden, illicit marketplaces of the dark web.
I. THE BATHTUB VIDEO: SEVENTY SECONDS OF TERROR
The video in question is brief—lasting exactly seventy-two seconds—but its contents are described by investigators as some of the most agonizing, chillingly calculated evidence ever presented in a British court of law.
According to leaks from sources close to the prosecution, the video was filmed on an iPhone mounted on a tripod in the small, tiled bathroom of the couple’s home on Staining Avenue, Blackpool. The date of the recording, verified by digital metadata, was July 12, 2023—exactly fifteen days before Preston was rushed to the emergency room in cardiac arrest.
The footage begins with loud, distorted electronic music blaring in the background. In the center of the frame is Jamie Varley, the 37-year-old high school Head of Year, sitting in a partially filled bathtub. Between his legs lies baby Preston.
The infant’s appearance in the video is described as profoundly distressing. Preston is not splashing or playing; his skin is deeply flushed, his eyes are glassy and disoriented, and his limbs appear limp, suggesting a state of semi-consciousness or severe physical exhaustion.


